"An unidentified guest," and our family collections
by Yaro Bihun
CONCLUSION
Those who have read my January 2000 two-part feature in The Weekly about searching for family roots may think I fancy myself as my family's Jonathan from "Everything is Illuminated." Fair enough, although I'm quite a bit older than Elijah Wood, who plays that part in the film. But I definitely do see my mother in the role of Lista (played by Laryssa Lauret), the lone remaining resident of what used to be Trachimbrod, who, in an isolated house in a sea of sunflowers, preserved as much as she could of the history of that Ukrainian shtetl.
Mychajlyna Kubrak Bihun was our Lista. She was the keeper of the family "tabernacle" and two old photo albums, all dating back into the 1930s, as well as a growing number of other boxes and large envelopes chronicling our past. She not only collected and identified these items (most of the photos are marked with at least the year and place), she somehow managed to bring all of it out of Ukraine, through war-torn Eastern Europe to the American-occupied Germany with three small children in tow (I was barely 1 then), while her husband, Mykola, was incarcerated along with other nationalist leaders in 1944 in German concentration camps.
She continued preserving and adding to this archive until she died in 1994: all our photographs, all kinds of documents and certificates, diplomas, Ukrainian community event programs - even a German-language newsletter from the USS Gen. Harry Taylor that brought us to America - old address books, postcards, Christmas and Easter cards, letters, including all of my correspondence home from the Army in the 1960s. She even saved the stashes of letters my brother and I received during our youthful, inter-city long-distance romances and carelessly left at home when we moved to Washington - much to the delight of his teenage daughters many years later who found them during a family Christmas gathering at mother's place near Soyuzivka.
Every generation of every family should have at least one Lista and one Jonathan. In this respect, we may have been luckier than most. Still, all-too-many unidentified persons remain in our photographs, "blank spots" in our family history and many questions that yearn to be answered.
Traveling to the origin of one's roots, as Jonathan did, is one way to help fill in the blanks, but not the only way. Among the other, closer-to-home ways, are:
My family roots piece in 2000 featured a photograph of my father within a group of Ukrainian political prisoners celebrating Christmas in a Polish prison in Wisnicz. That photograph is the centerpiece of our "tabernacle," which may well have been especially made to hold it, judging by the way the box is inlaid with a Ukrainian trident within a wreath of thorns dominating its cover and the inscription "Wisnicz 1929" next to where the photo was framed on the inside of the cover.
In my younger years, I had looked into that box many times. I recognized my father's face in the picture, but never wondered who were the other 10 men sitting and standing beside him. The inscription on the front of the photograph seemed enough for me then: "Our Christmas in the Polish prison in Wisnicz. January 7, 1929."
Only when I removed the photograph to scan it for inclusion with The Weekly roots feature did I learn from the inscription on the reverse that standing behind him was my future uncle, Volodymyr Kubrak (Uncle Vlodko). The wonderful researchers at the Lviv Historical Archives who helped find many old family root documents for me also found a copy of the prosecutor's charges against him and his five co-defendants from Peremyshl, but since my mother had already passed on, as had all of our family members of her generation, so had my hope of finding out any more about him.
Until two years ago, that is, when The Ukrainian Weekly carried a piece about the Ukrainian Canadian film maker Yurij Luhovy working on a documentary about the Polish concentration camp Bereza Kartuzka. My father had spent 18 months there in 1934-1935, so I wondered if Uncle Vlodko did his "graduate work" there as well, as I suspected he would be inclined to do.
(I sometimes refer - jokingly, of course - to my father's incarcerations in educational terms: he received his "undergraduate" degree at Wisnicz, went to "graduate school" at Bereza Kartuzka, and did almost a year's worth of "post-graduate work" in a German concentration camp in 1944. But there is nothing funny about my being lucky that he was in Krakow in 1939 when the Soviets entered Lviv, otherwise, I would not have come into this world. The NKVD left mostly corpses behind in Lviv's prisons when they fled before the German invasion.)
I recalled seeing the book "Peremyshl: The Western Stronghold of Ukraine" while transporting my parents' book collection from Kerhonkson, N.Y., to Washington and hoped that it would have some mention about my uncle's activities there between the wars. And it did, although not about any connection to Bereza Kartuzka. It reported about his 1928 trial that sent him to Wisnicz and, five pages later, about the period when the Soviet and German armies occupied opposing banks of the Sian River running through Peremyshl. It noted that a number of local Ukrainian nationalists would sneak back and forth across the border, coordinating their activities with their colleagues on the other side. The Gestapo eventually apprehended some of them, including my uncle, the author writes, adding: "Volodymyr Kubrak was sent to Auschwitz in 1940 where he later died."
I learned this from a book that for more than 10 years had been sitting unread in a bookcase less than 10 feet from the dinner table.
The inscription on the back of the Wisnicz prison photo, which probably had not been looked at since it was inserted into the frame of our "tabernacle" in the 1930s, identified not only my father and my uncle. Someone had meticulously inscribed the names of all 11 prisoners, including the cities they came from and the length of their prison terms. I must have felt their identities were not germane to the roots story back in 2000 and left them "unidentified."
I was wrong. They, as my father, uncle and many others, sacrificed much during this critical period in Ukraine's history. Some of them, like Uncle Vlodko, may well have paid the ultimate price. They deserve to be identified.
Mea maxima culpa.
(Please see the photo with a complete caption).
CONCLUSION
Copyright © The Ukrainian Weekly, April 16, 2006, No. 16, Vol. LXXIV
| Home Page |